We are very excited for the upcoming launch of Rush of Ikorr. Today I have the pleasure of sharing the insights and creative decisions behind one of the fantastic artists that provided artwork for some of the cards in our inaugural set. Read ahead to learn more about David Roterberg and his work.
Anubis, Usher of Souls depicts one of the most prolific psychopomps, what was your process and approach behind depicting the passage of death here?
“Anubis, Usher of Souls” art by David Roterberg
David: Anubis itself was a tricky one, especially as the Art Direction was asking me to translate a human expression to an animal face which can easily look comical. So I aimed for a subtle infusion of empathy into his eyes while at the same time trying to preserve the kind of aloofness you would expect from a god.
The passage was inspired by the monolithic structures we know from inside ancient Egyptian burial chambers combined with the “light at the end of the tunnel” described by many people who have had a near death experience. The souls then dissolve into the light that engulfs them at their final destination.
Great Pyramid illustrates one of the Seven Wonders of the Ancient World; can you tell us more about some of the choices made in this piece as it relates to this historical landmark?
“Great Pyramid” art by David Roterberg
A: The approach here was pretty straight forward, as I wanted to depict the Great Pyramid of Giza in all of its glory glistening in the midday sun. It always fascinated me how such a simple geometric structure still imposes such awe in the beholder, so I just let its shape speak for itself.
Norito here has a lot of details placed within the clothes, furniture and objects. What was your thought process around the decisions made within this piece?
“Norito” art by David Roterberg
A: The Norito ceremony actually features even more ritual assets and colorful patterns in real life, but for better readability I decided to stick to just some of its characteristic attributes. In my depiction the prayer inscribed on the scroll held by the priest is inflamed by divine powers during recitation for dramatic effect.
Overindulgence takes the observer in the middle of what appears to be a night of festivities. What can you tell us about what is happening within this moment in time?
“Overindulgence” art by David Roterberg
A: Inspired by the symposion, the ancient greco-roman way to feast, we wanted to show a group of Mayans indulging in food, drink and dance, enjoying the carnal pleasures of life together regardless of class and status of the participants. I also took care to only serve fruits and dishes typical to the region.
Of the pieces you made for Rush of Ikorr, which was your favorite to work on?
“Cleopatra, Conniver” art by David Roterberg
A: Cleopatra had lots of fun challenges to offer to me as an illustrator, be it the gold on her throne, the soft fur she sits on or the semitransparent garment she still wore in the first draft. But I am also really happy with how her pose and overall appearance turned out.
Any closing thoughts you would like to share?
A: Being not only an enthusiast of ancient history and mythology but also wanting to illustrate for a TCG for a long time now I was super excited when Upper Deck first approached me seemingly out of the blue with their request to work on Rush of Ikorr over three years ago. I am so thankful for the trust the Art Direction has been placing into me and my work and I continue to enjoy our collaboration very much.
Thank you so much for taking the time to share with us, where can folks find you if they want to follow your work?
A: I am showcasing my work on Artstation and Instagram. Feel free to shoot me a message even to just say hi!
Upper Deck Social Links:
Instagram
Facebook
Twitter
Twitch
Blog
Newsletter
Discord
Ages 14+
© 2025 The Upper Deck Company
5830 El Camino Real, Carlsbad, CA 92008
All Rights Reserved
